Yesterday,
the following exchange occurred in Austen-L:
Tracy
Marks: “In the article that Arnie
posted about Colin Firth's recollections about playing Darcy, [Firth] refers to
reading the book and perceiving that Darcy was scowling all the time. That's not true. Although Firth is my favorite Darcy, he is not true to
the Darcy of the book in one very important way. Just skim through the first half of P&P and note how many times
Darcy SMILES! He smiles a lot in the book. (Actually I think I will do that
eventually, and count the smiles!) Colin
Firth as Darcy only smiled near the end of the film.......”
Me: “Thank you for your reply, Tracy! What you point out about Darcy smiling several times in the first half of the novel is absolutely correct and significant! It is particularly so, because it is Darcy, who as we all know initially tells Bingley that Jane Bennet "smiles too much". And I suspect you are not aware that John Wiltshire, the well-known Aussie Austen scholar emeritus, actually wrote an entire article A few years back entitled "Darcy smiles", which I'm sure you can find via the Internet. However, where I suspect I depart from both you and Wiltshire is that I realized several years ago that Darcy's smiles are all profoundly ambiguous. I.e., I believe that Elizabeth has no idea why Darcy smiles when he does, in particular when he smiles during his botched first proposal at Hunsford. In a nutshell, I believe that Darcy smiles not in a friendly way or because he's happy, but because he knows some very important facts as to which Elizabeth is blissfully unaware, regarding certain offstage transactions between the key characters in the novel.”
Me: “Thank you for your reply, Tracy! What you point out about Darcy smiling several times in the first half of the novel is absolutely correct and significant! It is particularly so, because it is Darcy, who as we all know initially tells Bingley that Jane Bennet "smiles too much". And I suspect you are not aware that John Wiltshire, the well-known Aussie Austen scholar emeritus, actually wrote an entire article A few years back entitled "Darcy smiles", which I'm sure you can find via the Internet. However, where I suspect I depart from both you and Wiltshire is that I realized several years ago that Darcy's smiles are all profoundly ambiguous. I.e., I believe that Elizabeth has no idea why Darcy smiles when he does, in particular when he smiles during his botched first proposal at Hunsford. In a nutshell, I believe that Darcy smiles not in a friendly way or because he's happy, but because he knows some very important facts as to which Elizabeth is blissfully unaware, regarding certain offstage transactions between the key characters in the novel.”
Today
Anel Vlok chimed in: “I agree with Arnie that it is seldom clear why Darcy is
smiling. Vexing.. Although, obviously being a romantic myself.. my
favourite smile [implied, rather than described as a smile], is the following
at the second proposal: ‘Had Elizabeth been able to encounter his eye, she
might have seen how well the expression of heartfelt delight, diffused over his
face, became him.’ [and now dear Arnie will commence illustrating how this was
actually an evil grimace.. ;) ]”
Anel,
not a grimace, but a figment of Elizabeth’s overactive imagination! I.e., the
narration of the full paragraph fits very well not only with your romantic interpretation,
but also with Elizabeth being too anxious, embarrassed, flattered, and (most
notably) submissive to look at him; instead
she retreats to the privacy of her own mind, speculating wildly, and projecting
feelings onto Darcy without any insight into his true character, and without the
slightest awareness that she is deluding herself in this way:
“Elizabeth,
feeling all the more than common awkwardness and anxiety of his situation, now
forced herself to speak; and immediately, though not very fluently, gave him to
understand that her sentiments had undergone so material a change, since the
period to which he alluded, as to make her receive with gratitude and pleasure
his present assurances. The happiness which this reply produced, was such as he
had PROBABLY never felt before; and he expressed himself on the occasion as
sensibly and as warmly as a man violently in love can be SUPPOSED to do. Had
Elizabeth been able to encounter his eye, she MIGHT HAVE SEEN how well the
expression of heartfelt delight, diffused over his face, became him; but,
THOUGH SHE COULD NOT LOOK, she could listen, and he told her of feelings,
which, in proving of what importance she was to him, made his affection every
moment more valuable.”
After
writing the above, I wondered whether anyone besides Wiltshire had written
about Darcy’s smiles before the above exchange in Austen-L, and Google led
me…..back to Austen-L (& my own blog) circa October 2010! I.e., Tracy and I
both completely forgot that six years
ago, we went down exactly this same road—she asked the same question, and I was
the one who answered her! This provides
an interesting window into how my thinking has evolved about Darcy’s smiles
since then, as you can read below. While I was already well aware in 2010 that
Austen’s narration is profoundly ambiguous and can be plausibly read two very
different ways---as either objective or subjective---I was in 2010 still in the
early stages of digging deeper into the ambiguity of Darcy’s mysterious character:
[Tracy in 2010 in Austen L]: "Anyone in
eastern Mass. going to John Wiltshire's talk today? Since I have been a bit obsessively
pointing out how often Darcy smiles in the book but not in the P&P films,
I'm curious what Wiltshire has to say and why he chose Mr. Darcy's Smile as his
topic."
[Me] “…a factor which I claim DOUBLES the interpretive task of the reader--is that so much of the narration in JA's novels can be read as either (i) objective, or (ii) colored, to varying degrees, by the SUBJECTIVE-and therefore, potentially mistaken--perceptions and judgments of the heroine. For example, focusing on Darcy's smiles in particular, look at these examples from the text of P&P where the narration makes it EXPLICIT that Lizzy is INTERPRETING Darcy's smile, and therefore is not necessarily correct in her interpretation…” END QUOTE FROM MY 2010 POST
[Me] “…a factor which I claim DOUBLES the interpretive task of the reader--is that so much of the narration in JA's novels can be read as either (i) objective, or (ii) colored, to varying degrees, by the SUBJECTIVE-and therefore, potentially mistaken--perceptions and judgments of the heroine. For example, focusing on Darcy's smiles in particular, look at these examples from the text of P&P where the narration makes it EXPLICIT that Lizzy is INTERPRETING Darcy's smile, and therefore is not necessarily correct in her interpretation…” END QUOTE FROM MY 2010 POST
I then quoted and briefly analyzed several
textual examples, including noting the irony of Darcy being the one who repeats
that Jane Bennet smiles too much. But in the past 6 years, I’ve taken my
decoding of the shadow story of P&P to
a level of substantial completion, and so I’ll now take another brief tour
through the shadow Darcy’s most significant smiles, and reveal what’s really
going on in the shadows that Elizabeth, again, has no clue about. The first 4
examples take place at Netherfield Park:
DARCY SMILE #1: “[Mrs. Bennet] ‘When [Jane] was only
fifteen, there was a man at my brother Gardiner's in town so much in love with
her that my sister-in-law was sure he would make her an offer before we came
away. But, however, he did not. Perhaps he thought her too young. However, he
wrote some verses on her, and very pretty they were." "And so ended his affection," said
Elizabeth impatiently. "There has been many a one, I fancy, overcome in
the same way. I wonder who first discovered the efficacy of poetry in driving
away love!" "I have been used to consider poetry as the food of
love," said Darcy. "Of a fine, stout, healthy love it may. Everything
nourishes what is strong already. But if it be only a slight, thin sort of
inclination, I am convinced that one good sonnet will starve it entirely
away." DARCY ONLY SMILED; and the general pause which ensued made
Elizabeth tremble lest her mother should be exposing herself again….”
MEANING OF DARCY’S SMILE #1: In the
shadow story, Darcy was that very same erstwhile poet, which is why Darcy interjects
by paraphrasing the love-sick Duke Orsino – he’s defending himself! So of course he smiles after Elizabeth responds so
cluelessly.
DARCY SMILE #2: "By all means," cried
Bingley; "let us hear all the particulars, not forgetting their
comparative height and size; for that will have more weight in the argument,
Miss Bennet, than you may be aware of. I assure you, that if Darcy were not
such a great tall fellow, in comparison with myself, I should not pay him half
so much deference. I declare I do not know a more awful object than Darcy, on
particular occasions, and in particular places; at his own house especially,
and of a Sunday evening, when he has nothing to do."
MR. DARCY SMILED; but Elizabeth
thought she could perceive that he was rather offended, and therefore checked
her laugh. Miss Bingley warmly resented the indignity he had received, in an
expostulation with her brother for talking such nonsense.
MEANING OF DARCY’S SMILE #2: In the
shadow story, Darcy and Bingley are actually a romantic couple, as has been intriguingly
portrayed by Ann Herendeen in Pride/Prejudice…..
https://books.google.com/books?id=8EnkIc4hzEMC&printsec=frontcover&dq=pride/prejudice+ann+herendeen&hl=en&sa=X&ved=0ahUKEwih9LD9tvvOAhUS22MKHb3gCzcQ6AEIHDAA#v=onepage&q=pride%2Fprejudice%20ann%20herendeen&f=false
… and so Darcy smiles as Bingley
teases him by that broad hint.
DARCY SMILE #3: "Your examination
of Mr. Darcy is over, I presume," said Miss Bingley; "and pray what
is the result?" "I am perfectly
convinced by it that Mr. Darcy has no defect. He owns it himself without
disguise." "No," said
Darcy, "I have made no such pretension. I have faults enough, but they are
not, I hope, of understanding. My temper I dare not vouch for. It is, I
believe, too little yielding—certainly too little for the convenience of the
world. I cannot forget the follies and vices of others so soon as I ought, nor
their offenses against myself. My feelings are not puffed about with every
attempt to move them. My temper would perhaps be called resentful. My good
opinion once lost, is lost forever." "That is a failing indeed!" cried Elizabeth.
"Implacable resentment is a shade in a character. But you
have chosen your fault well. I really cannot laugh at it. You
are safe from me."
"There is, I
believe, in every disposition a tendency to some particular evil—a natural
defect, which not even the best education can overcome." "And your defect
is to hate everybody."
"And yours," HE
REPLIED WITH A SMILE, "is willfully to misunderstand them."
MEANING OF DARCY’S SMILE
#3: The surface meaning of Darcy’s smile is that he is enjoying the sharp
repartee with Elizabeth—the shadow meaning is that he gets a sadistic charge
out of Eliza having no knowledge of his offstage romantic relationships with
Bingley, and also with….Eliza’s sister Jane!
DARCY SMILE #4: "I do not think
we were speaking at all. Sir William could not have interrupted two people in
the room who had less to say for themselves. We have tried two or three
subjects already without success, and what we are to talk of next I cannot
imagine." "What think you of books?" SAID HE, SMILING. "Books—oh! no. I am sure we never read
the same, or not with the same feelings."
"I am sorry you think so; but
if that be the case, there can at least be no want of subject. We may compare
our different opinions." "No—I
cannot talk of books in a ball-room; my head is always full of something
else." "The present always
occupies you in such scenes—does it?" said he, with a look of doubt.
MEANING OF DARCY’S SMILE #4: As I noted in a
post 18 months ago: “Darcy, very quick on his feet, verbally as well as in
dance steps, has decided that one good turn deserves another, and so he turns
the teasing tables on Elizabeth, and surprises her with a sudden thrust at her weak point--her discomfort with not
being as well read as the truly accomplished woman of Darcy's dreams,” which was the topic of conversation
several chapters earlier in the Netherfield salon.
SMILES #5 & #6: Much
later, at Rosings Park, Darcy smiles
twice in the same exchange:
“…Elizabeth laughed
heartily at this picture of herself, and said to Colonel Fitzwilliam,
"Your cousin will give you a very pretty notion of me, and teach you not
to believe a word I say. I am particularly unlucky in meeting with a person so
able to expose my real character, in a part of the world where I had hoped to
pass myself off with some degree of credit. Indeed, Mr. Darcy, it is very
ungenerous in you to mention all that you knew to my disadvantage in
Hertfordshire—and, give me leave to say, very impolitic too—for it is provoking
me to retaliate, and such things may come out as will shock your relations to
hear."
"I am not afraid of
you," SAID [DARCY], SMILINGLY. "Pray
let me hear what you have to accuse him of," cried Colonel Fitzwilliam.
"I should like to know how he behaves among strangers."
"You shall hear
then—but prepare yourself for something very dreadful. The first time of my
ever seeing him in Hertfordshire, you must know, was at a ball—and at this
ball, what do you think he did? He danced only four dances, though gentlemen
were scarce; and, to my certain knowledge, more than one young lady was sitting
down in want of a partner. Mr. Darcy, you cannot deny the fact."
"I had not at that
time the honour of knowing any lady in the assembly beyond my own party."
"True; and nobody
can ever be introduced in a ball-room. Well, Colonel Fitzwilliam, what do I
play next? My fingers wait your orders." "Perhaps," said Darcy,
"I should have judged better, had I sought an introduction; but I am
ill-qualified to recommend myself to strangers."
"Shall we ask your
cousin the reason of this?" said Elizabeth, still addressing Colonel
Fitzwilliam. "Shall we ask him why a man of sense and education, and who
has lived in the world, is ill qualified to recommend himself to
strangers?" "I can answer your question," said Fitzwilliam,
"without applying to him. It is because he will not give himself the
trouble."
"I certainly have
not the talent which some people possess," said Darcy, "of conversing
easily with those I have never seen before. I cannot catch their tone of
conversation, or appear interested in their concerns, as I often see
done." "My fingers," said
Elizabeth, "do not move over this instrument in the masterly manner which
I see so many women's do. They have not the same force or rapidity, and do not
produce the same expression. But then I have always supposed it to be my own
fault—because I will not take the trouble of practising. It is not that I do
not believe my fingers as capable as any other woman's of
superior execution." DARCY SMILED
and said, "You are perfectly right. You have employed your time much
better. No one admitted to the privilege of hearing you can think anything
wanting. We neither of us perform to strangers."’
MEANING OF DARCY’S SMILES #5&6: As I posted here…. http://tinyurl.com/kkflwom …on the bicentennial
of the publication of P&P: “During all that sparring, Lizzy has repeatedly, albeit inadvertently and Freudianly, given Darcy a series of sexual come-ons, seeming
to be engaged in hot-cold sexual teasing in which she leads him on
one moment, then pushes him away the next.The poor guy doesn’t know what to
think, but it’s for sure that she has thereby unwittingly fanned the flames of
his ardor.” And that’s why Darcy
smiles twice in that scene, these are sexually charged smiles, as to which (yet
again) Eliza is completely clueless with her talk of moving her fingers over “this
instrument in the masterly manner
which..so many women’s do”! If you were Darcy, you’d smile too, and also believe
you’d been given unmistakable encouragement to propose marriage soon
afterwards!
DARCY SMILE #7: "It must be very agreeable for
her to be settled within so easy a distance of her own family and
friends." "An easy distance,
do you call it? It is nearly fifty miles."
"And what is fifty miles of
good road? Little more than half a day's journey. Yes, I call it a very easy
distance." "I should never
have considered the distance as one of the advantages of the
match," cried Elizabeth. "I should never have said Mrs. Collins was
settled near her family."
"It is a proof of your own
attachment to Hertfordshire. Anything beyond the very neighbourhood of
Longbourn, I suppose, would appear far." As he spoke there was A SORT OF
SMILE which Elizabeth fancied she understood; he must be supposing her to be thinking
of Jane and Netherfield…” MEANING
OF DARCY’S SMILE #7: In the shadow story, Darcy is thinking of Jane, but not vis a vis Bingley. Rather, Darcy is
thinking about what it would be like to marry Eliza, the sister of his former
mistress, Jane!
DARCY SMILE #8: "I
have every reason in the world to think ill of you. No motive can excuse the
unjust and ungenerous part you acted there. You dare not, you
cannot deny, that you have been the principal, if not the only means of
dividing them from each other—of exposing one to the censure of the world for
caprice and instability, and the other to its derision for disappointed hopes,
and involving them both in misery of the acutest kind." She paused, and saw with no slight
indignation that he was listening with an air which proved him wholly unmoved
by any feeling of remorse. He even looked at her with A SMILE OF AFFECTED
INCREDULITY. "Can you deny that you have
done it?" she repeated.
With assumed tranquillity he then
replied: "I have no wish of denying that I did everything in my power to
separate my friend from your sister, or that I rejoice in my success. Towards him I
have been kinder than towards myself."
MEANING OF DARCY’S SMILE #8: In the shadow story, Darcy fears
that Elizabeth knows about Darcy having made Jane pregnant-so ironically, he’s
relieved when he learns that she’s only accusing him of the “misdemeanor” of
playing matchbreaker with Jane and Bingley.
So,
thanks, Tracy, for prompting me to revisit Darcy’s significant, shadowy smiles
--- it always pays to keep turning and turning Austen’s novels. There’s always
more to see, especially when we each bring our own perspective: serendipitous synergy
in thinking is always just around the next turn.
Cheers,
ARNIE
@JaneAustenCode
on Twitter
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