In our ongoing group read of Jane Austen's letters which has now reached Letter #119 (so we have about 6 months to go before we reach the end!), Diana Birchall commented on Jane Austen's discussion of a novel she had just read:
Diana
wrote: "#118. "We have got 'Rosanne' in our Society" - refers to
a novel by Laetitia Matilda Hawkins, "Rosanne, A Father's Labour
Lost," 1814.”
Diana,
first, here are a few interesting factoids about LM Hawkins which Le Faye did
not consider significant but which I bet most Janeites would have wanted to
know, too:
ONE:
She was the daughter of an heiress and Sir John Hawkins, friend of Samuel Johnson
and Horace Walpole. Daddy Hawkins was a co-executor of SJ’s Will, and wrote a
life of Johnson. So we know that JA would therefore have been especially
interested in the writing and the life of Laetitia Hawkins.
TWO: After JA died, Laetitia, who grew up in
Twickenham, apparently, published memoirs in which she wrote:
re
the “Satanic” Sir Francis Dashwood (leader of the Hell-Fire Club): "the recollection of him...is so
pleasing to me, that I cannot reconcile myself to the contemptuous manner in
which his memory has been treated, or believe the general assertion that he was
unworthy"; and
re:
Mrs. Thrale: “I have heard it said, that into whatever company she (Mrs. T[hrale].)
fell, she could be the most agreeable person in it."
I bet
JA was aware of these personal connections when she read Rosanne.
THREE:
My previous research alerted me to the strong possibility that JA was reading Hawkins’s
fiction before Rosanne came out in
1814.
Diana
also wrote: “[Rosanne] was dedicated (Deirdre says) to the Countess of
Waldegrave, in praise of her practice of "pure Christianity." If
anyone is familiar with this book, speak up now and describe it, or forever
hold your peace. I am not looking it up….” Mlle. Cossart is rather my
passion." And we know how Jane Austen feels about
"improbabilities" in a story. ("Bad, very bad," as Mr.
Knightley said.) The only reason I'd want to read Rosanne is to
find out who was Mlle. Cossart who is her passion! Has anyone here read it, and
can comment on the justice of her criticism?"
Diana, I just skimmed a bit in Rosanne, and quickly deduced that Mlle. Cossart was the heroine’s governess—a large woman (both in personality and in body) who sounds a lot like Mrs. Jennings from S&S—so I can perfectly well understand why JA would enjoy the broad comedy of Mlle. Cossart in a novel that otherwise was drearily obsessed with Rousseau’s theories of child-rearing.
Diana, I just skimmed a bit in Rosanne, and quickly deduced that Mlle. Cossart was the heroine’s governess—a large woman (both in personality and in body) who sounds a lot like Mrs. Jennings from S&S—so I can perfectly well understand why JA would enjoy the broad comedy of Mlle. Cossart in a novel that otherwise was drearily obsessed with Rousseau’s theories of child-rearing.
Diana
also wrote: “I will content myself instead with mightily enjoying Jane Austen's
epigrammatical and wittily apt phrase of criticism: "we...find it much as
you describe it; very good and clever, but tedious." Don't we all know
that description! She continues her criticism in much the same manner in which
she usually writes literary criticism to Anna, as writing to one with whom she
is quite used to sharing these conversations and observations: "Mrs.
Hawkins' great excellence is on serious subjects. There are some very
delightful conversations and reflections on religion: but on lighter topics I
think she falls into many absurdities; and, as to love, her heroine has very
comical feelings. There are a thousand improbabilities in the story. Do you
remember the two Miss Ormesdens, introduced just at last? Very flat and
unnatural.”
Among
the absurdities and improbabilities of the story that I gleaned from my
skimming is that the heroine, who has been kept away from all religious
instruction by her father all her life, manages to hear traces of Christian
content by accident, and it miraculously transforms her into a formidable
intellect.
JA
had no patience for religious propaganda, no matter how cleverly worded.
Cheers,
ARNIE
@JaneAustenCode
on Twitter
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